Thursday, April 25, 2024

The Morgan Library looks at Animals

 

Pet Lizard by Beatrix Potter

 

Artists have always found interest in animals. Whether it is painting their dead bodies in still life, trying to portray them in their natural environment, or anthropomorphizing them in stories, animals have been in art since the days of cave paintings. There are currently two exhibits at the Morgan Library and Museum, in New York City, offer a wonderful comparison of the ways this has happened during the past 150 years.

The Morgan Library and Museum began as the personal library of John Pierpont Morgan (1837-1913). He collected rare books, illustrated manuscripts, drawings and prints. In 1924, eleven years after his death, his son J.P. Morgan Jr., transformed his collection into a public research library. Over the past 100 years the mission has expanded to include a lot more art, and there are now four galleries in the campus. 


 

The current exhibits offer an interesting contrast into the ways that animals have been presented in art. The main galleries host an extensive show of paintings and drawings by Beatrix Potter (1866-1943). Mrs. Potter is best known as the author and illustrator of Peter Rabbit, along with her “Little Books”, a collection of 23 children’s stories, all featuring animals as their main characters. The books have beautiful illustrations of the animals, looking natural, while acting in a human manner.

Benjamin Bunny and Son Greengrocers

Unauthorized (left) and official (right) versions of Peter Rabbit

Chintz featuring Potter's characters

 

While half of the exhibit is made of works that are part of her world of animals, the other half is dedicated to the paintings and drawings that she worked on privately, starting at an early age. By the time she was eleven, she was creating detailed studies of animals that rivaled those made scientists much older than her. Beatrix was a prolific artist, and most of her work features the natural world around her family’s summer home, and of the pets and animals in her life. Looking at her early work, it is clear where she developed the skills and style she used in her books. Her pictures are soft, and her animals are all cuddly and cute.

Still life of shells, seaweed and Japanese netsuke mask

Corner of Schoolroom

Magnified Studies of Carabus Nemoralis (at age 11)

Studies of a Rabbit's Head

Strobilomuces Strobilaceus

 

While Beatrix Potter’s artwork offers a peaceful, bucolic version of the lives of the characters in her books, Walton Ford (b. 1960) has a very different point of view. His paintings, which range from realistic to almost hallucinatory, are used on real or imagined stories where wild animals interact with people. One series on display is based on an event in which a black panther escaped from a zoo in Zurich. The panther was loose in the area for ten weeks before being shot and eaten by a local farmer. Another set was inspired by the escape of eight lions when a circus caravan was hit by a trolley in Leipzig.


Die Ziege

Zürichsee

Study for Flucht

Study for Leipzig

 

This exhibit also includes Ford’s choice of paintings of animals created by other artists from the Morgan’s collection.

Eastern Gray Squirrel by James Audubon

The Elephant Dalbādel Chasing His Trainer by Anon.

 

Together, these two exhibits offer an interesting juxtaposition of ways that wild animals are presented in art.

Nuts and Bolts

  • The Morgan Library is located at 225 Madison Ave, NY, NY
  • It is open Tuesday- Sunday 10:30 AM - 5 PM (7 PM on Friday)
  • Entrance fee - $25 Adults / $17 Seniors / $13 Students / 12 and under are free.


Thursday, April 18, 2024

The Forts of Old San Juan

 

A Garrita at El Morro

In 1508, Ponce de Leon sailed into a large bay, on the north shore of the island he would name Caparra, in honor of the birth city of Spain’s governor of Caribbean territories. The initial Spanish settlement was at the eastern end of this bay. In 1511, a new settlement was built at the entrance to the bay. This town was eventually named Ciudad de Puerto Rico de San Juan Bautista. Over the years, this name was split in two, with Puerto Rico becoming the name of the island, and San Juan the name of the city.


 

San Juan became a very important city in Spain’s empire. Its bay is a fully protected, deep water port. Its position near the eastern end of the Caribbean Sea offered a keystone position in defending the area from invaders. This meant the it was coveted by other European powers who wanted to control the American Colonies. In order to protect this important city and bay, San Juan was built as a walled city, with forts built at key locations. Today, two of those forts remain, along with about 60% of the city’s walls.

 

Castillo Felipe del Morro

 

Most people who have visited Puerto Rico are familiar with Castillo San Felipe del Morro, called simply El Morro (The Promontory). This fort sits at the northwest corner of the city, overlooking the entrance to San Juan Bay. Its construction went form the late 1500’s through 1787. It rises 140 feet (42.7 m) above the Atlantic Ocean, and its walls are 18-25 feet thick. Along with El Cuñuelo, a fort on the other side of the bay’s mouth, it provided a crossfire that was effective at stopping invading naval forces. In fact, San Juan survived attempted raids by French privateers, the Dutch Navy, and two attempts by the British Navy to take the island.

El Morro Lighthouse

Entrance to El Morro

Looking across to El Cuñuelo

Supplies coming to the island from the U.S.




 

The fort was home to several artillery batteries, with rooms set up to store gun powder, ammunition and other supplies. Most of the soldiers lived outside the fort, at the nearby Cuartel de Ballajá. Also outside the fort is a large lawn. Today it is a place where classes and families come to picnic and fly kites. In the past is has served as a parade ground, and when the fort was controlled by the U.S. military, as a golf course and had a swimming pool.


 

Today, the fort has several exhibitions that explain the history of the fort, the role of Puerto Rico in colonial times, and life at the fort. When you enter you are on the 5th level of the fort, in the main plaza. You can walk up to the 6th level for excellent views of the bay, or down a steep stairway to levels 1, 2 and 3. 

Main Plaza

Chapel

Cannon








 

Castillo San Cristóbal


 

There is a second fort in Old San Juan that is not visited by as many people, but I find much more interesting. Castillo San Cristóbal was built in the northeast corner of Old San Juan. Finished in 1783, it offered protection to the Atlantic coast and to the main road into the city. San Cristóbal towers 150 feet above the ocean, and it looks down over the city and San Juan Bay. This fort served as home to its soldiers, and there is a building that is set up as the barracks used to be arranged. Other rooms offer the fort’s history, and there was an exhibit showing architectural drawing of all the fortifications of San Juan, along with photographs taken over the past 100+ years. In addition to its troops, the fort also held a cistern that could store enough water to supply the fort for a year. 

San Juan Bay

Barracks


Access to the cistern

In the Barracks

In the Barracks


An historic recreator getting ready

Chapel

 

Currently, the only entrance that is open is near the upper level of the fort. When you use it you enter the main plaza of the fort, which served as the parade grounds for the soldiers. You can walk to the top of the barracks, which is the highest point in San Cristóbal. Here you will find some great views of the city, and a World War II bunker built by the U.S. military. 

Entrance Plaza


Ramp to the entrance

Old San Juan


WW II battery



Looking to El Morro

 

You can also walk to the lower level of fort. Here you will find a visitors center with some historic displays, and a souvenir shop. Usually, this area serves as another entrance to the fort, but the entrance is currently closed due to staff shortages.

Tunnel to the lower level
 

Both forts are U.S. National Park Historic Sites. The fee is $10 for a one-day ticket that will provide entrance to both El Morro and San Cristóbal. If you have a yearly NHP pass, it will get you in for free.